The human body can be seen as outdated and obsolete, which has led us to use various methods and styles to transform it. In many ways, we see ourselves as masters of our own nature, and the body modifications we incorporate blur the line between the self and the foreign. Influenced by real implants, the body’s physiological processes and anatomy, I transcend the boundaries of our bodies without conforming to prevailing notions of modification.
2025.
Do we take our body parts for granted? Who do we become when a body part is taken away from us? Some chose to replace their removed body part with prosthesis and some don’t. Prostheses are somehow permanent. Jewelry has the power to both create identity and the possibility to work as a body extension. In this project I found an interest in jewelry’s potential as an option to implants. I have created a jewelry prosthesis, for someone who has undergone a mastectomy due to breast cancer.
2024.
2023.
The body of the jewelry, and the person of the wearer. For me that is what's important when you inherit something, and the jewelry in this situation becomes secondary.
Who’s the previous owner of the jewelry?
How was it worn, and where was it placed at the body.
The placement brings back memories.
What’s important for me is that for example my mother or grandmother wore it, and through jewelry I could bring them with me and also have the opportunity to wear it like them.
By casting the jewelry on the body to create jewelry, I want to highlight the affection value of the previous owner. The skin surface, wrinkles and fingerprints adds a personal and intimate connection.
2021.